Hi, I'm Grégoire Pasquier, a producer, mixer, and mastering engineer based at Studio de la Fonderie in Fribourg, Switzerland. My journey into music started in the early 2000s, playing guitar in pop-punk bands while simultaneously training as an electronics technician and taking my first steps in the audio world as a sound tech intern in live venues. Over time, the technical side gradually took over, and I moved into live sound engineering, working front-of-house for artists such as Sophie Hunger, Stress, and Varnish La Piscine. Recording had always been a parallel obsession, and I began spending more and more time in the studio, tracking and mixing bands from the region. My early setup was a scrappy but characterful collection of analog clones I'd built myself, paired with a Studer A-812 tape machine that was badly miscalibrated and whose inner workings I barely understood at the time. Looking back, those happy accidents shaped a lot of what I respond to sonically. From there, things slowly clicked into place. I developed my ear, deepened my understanding of acoustics, and grew increasingly methodical and precise in my approach, a shift that naturally drew me toward mastering. These days, that rigour is at the heart of everything I do, whether I'm producing, mixing, or mastering a record. I also write and produce music under my own solo project, Shuttle.